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The Abel Axe with holes and Kahler trem weighs approximately 9 pounds (4.1 kg) and measures 15.5 by 11.25 by 1 inch (39.4 cm × 28.6 cm × 2.5 cm), and the Abel Axe with holes and the fixed bridge also weighs approximately 9 pounds (4.1 kg) (instead of a routed cavity for a trem, the unmilled metal remains and keeps the weight the same as if ...
North American musical instruments by country (14 C) + Puerto Rican musical instruments (1 C, 5 P) C. Caribbean musical instruments (5 C, 10 P) E. Eskimo musical ...
American Indian musical instruments (7 P, 1 F) C. Cajun musical instruments (5 P) I. Individual bells in the United States (1 C, 21 P) Pages in category "American ...
High school, Colleges, and drum corps drumlines typically consist of four to six different bass drum sizes to ensure enough for a melody. Sometimes, in smaller bands, one may see only two or three bass drummers perform. A bass drum can weigh anywhere between 15 pounds and 40 pounds, depending on the model and size.
Though Appalachian and African American folk music became the basis for most of American popular music, the United States is home to a diverse assortment of ethnic groups. In the early 20th century, many of these ethnic groups supported niche record industries and produced minor folk stars like Pawlo Humeniuk , the "King of the Ukrainian ...
The guitars took the brand name of St. Louis Music's Spanish guitar line “Alvarez”. Similar instruments were also sold under the factory brand of “K. Yairi” in Europe and other parts of the world. [1] From 2005 to 2009, the brand was owned by LOUD Technologies, which also owned Mackie, Ampeg, Crate and other music-related brands. In ...
The sousaphone (/ ˈ s uː z ə f oʊ n / SOO-zə-fohn) is a brass musical instrument in the tuba family. Created around 1893 by J. W. Pepper at the direction of American bandleader John Philip Sousa (after whom the instrument was then named), it was designed to be easier to play than the concert tuba while standing or marching, as well as to carry the sound of the instrument above the heads ...
The first contrabass bugle was developed in the 1960s by Whaley Royce, a Canadian instrument manufacturer which produced bugles for many drum corps of that era. Matching all other competition bugles at the time, these early contrabass bugles were pitched in the key of GG, making them significantly larger than all tubas to that date, apart from the rare subcontrabass tuba.