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A portable folding reflector positioned to "bounce" sunlight onto a model. Reflectors vary enormously in size, colour, reflectivity and portability. In tabletop still life photography, small mirrors and card stock are used extensively, both to reduce lighting contrast and create highlights on reflective subjects such as glassware and jewelry.
Reflectors, including umbrellas, flat-white backgrounds, drapes and reflector cards are commonly used for this purpose (even with small hand-held flash units). Bounce flash is a related technique in which flash is directed onto a reflective surface, for example a white ceiling or a flash umbrella , which then reflects light onto the subject.
A flash diffuser (also called a speedlight diffuser, or shoot-through diffuser) spreads the light from the flash of a camera. A diffusion filter of this type may also be used in front of a non-flash studio light to soften the light on the scene being shot; such filters are used in still photography, in film lighting , and in stage lighting .
In portrait photography, the beauty dish is used a lot more because of its ability to capture a more high quality version of the model's beauty. With the way the beauty dish creates certain shadows in the "portrait" of the model it basically sculpts the face of the model, so that their beauty is captured in a more unique and high-profile way. [2]
Their price varies from $10 to $100, and people tend to purchase them online. [7] Ring flashes are also used in microscopy. The ring flash (usually LED [citation needed]) is mounted on the objective lens of an optical microscope. The main use of this tool is the photographing of microscopic organisms [citation needed]. A ring flash works on a ...
The sides and back of the box are lined with a bright surface – an aluminized fabric surface or an aluminum foil, to act as an efficient reflector. In some commercially available models the diffuser is removable to allow the light to be used alone as a floodlight or with an umbrella reflector .
An alternative to using a direct light source as a fill is to re-direct or "bounce" the key light towards the subject by using a reflector. When used with artificial key light it can be difficult to place a reflector where it can both catch and reflect the light and have it bounce back onto the subject at the ideal "neutral" near-axis angle ...
Outdoors and photography. Overhead scrim on a natural-light film set, 1915 ...
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