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Platonic love [1] is a type of love in which sexual desire or romantic features are nonexistent or have been suppressed, sublimated, or purgated, but it means more than simple friendship.
Lorenzo de' Medici was the patron of both Botticelli and Ficino, and extant letters suggest Ficino may have been consulted about the subjects of Botticelli's paintings. Though almost all of Plato's dialogues were unavailable in Western Europe during the Middle Ages, Neo-Platonism and its allegorical philosophy became well-known through various ...
quos amor verus tenuit tenebit: Those whom true love has held, it will go on holding: Seneca quot capita tot sensus: as many heads, so many perceptions "There are as many opinions as there are heads" – Terence: quot homines tot sententiae: as many men, so many opinions: Or "there are as many opinions as there are people", "how many people, so ...
In art, Cupid often appears in multiples as the Amores / ə ˈ m ɔː r iː z / (in the later terminology of art history, Italian amorini), the equivalent of the Greek Erotes. Cupids are a frequent motif of both Roman art and later Western art of the classical tradition .
Lysis (/ ˈ l aɪ s ɪ s /; Ancient Greek: Λύσις, genitive case Λύσιδος, showing the stem Λύσιδ-, from which the infrequent translation Lysides), is a dialogue of Plato which discusses the nature of philia (), often translated as friendship, while the word's original content was of a much larger and more intimate bond. [1]
Miguel de Cervantes popularized the redirection to Plato in Don Quixote, Part II, Chapter 51. Leonardo Tarán has traced the antecedents of Cervantes' adage in an eponymous 1984 paper. [ 8 ] Logician Alfred Tarski excused his Platonism by amending the formula to Inimicus Plato sed magis inimica falsitas ("Plato is an enemy, but falsehood is a ...
Twenty-nine epigrams are attributed to Plato, mostly in the Greek Anthology.These are short poems suitable for dedicatory purposes written in the form of elegiac couplets. [1]
De Amore was written sometime between 1186 and 1190. Its structure and content borrow heavily from Ovid's Ars amatoria. [1] It was most likely intended for the French court of Philip Augustus. It has been supposed to have been written in 1185 at the request of Marie de Champagne, daughter of King Louis VII of France and of Eleanor of Aquitaine.