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The problem of evil is generally formulated in two forms: the logical problem of evil and the evidential problem of evil. The logical form of the argument tries to show a logical impossibility in the coexistence of a god and evil, [2] [10] while the evidential form tries to show that given the evil in the world, it is improbable that there is ...
The artist Hieronymus Bosch, from the 15th and 16th centuries, used images of demons, half-human animals and machines to evoke fear and confusion to portray the evil of man. The 16th-century artist Pieter Brueghel the Elder depicted "...the nightmarish imagery that reflect, if in an extreme fashion, popular dread of the Apocalypse and Hell".
Good and Evil (French - Le Bien et le Mal) is a painting by Victor Orsel, begun in Rome in 1829 and completed in Paris in 1832 after several preparatory works. It had several influences, especially from the artist's stay in Italy.
These include horns, tails, and wings. Satan is also associated with or may take the form of snakes, dragons, goats, or dogs. The color red is another common symbol, and may be incorporated by showing Satan with red skin, hair, or clothing. [3]
The list is full of examples of this art style and movement that were created by artists from all around the world. So, check them out; maybe it will convince you to become a surrealism enthusiast.
The logical argument from evil argued by J. L. Mackie, and to which the free-will defense responds, is an argument against the existence of God based on the idea that a logical contradiction exists between four theological tenets often attributes to God. Specifically, the argument from evil asserts that the following set of propositions are, by ...
Epicurus was not an atheist, although he rejected the idea of a god concerned with human affairs; followers of Epicureanism denied the idea that there was no god. While the conception of a supreme, happy and blessed god was the most popular during his time, Epicurus rejected such a notion, as he considered it too heavy a burden for a god to have to worry about all the problems in the world.
The poet living in a garret, the absent-minded professor, Vincent van Gogh struggling with madness, are all (at least in the popular mind) examples of Schopenhauer's geniuses: so fixed on their art that they neglect the "business of life" that in Schopenhauer's mind meant only the domination of the evil and painful Will.