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Pages in category "Art Deco architecture in the Philippines" The following 35 pages are in this category, out of 35 total. This list may not reflect recent changes .
The Manila Metropolitan Theater (Filipino: Tanghalang Metropolitan), also known as the Metropolitan Theater, abbreviated as the MET, is a historic Philippine Art Deco building located in Plaza Lawton in Ermita, Manila. It is recognized as the forefront of the Art Deco architectural style in the Philippines. [3]
After the Philippines was ceded to the United States as a consequence of the Spanish–American War in 1898, the architecture of the Philippines was influenced by American aesthetics. In this period, the plan for the modern City of Manila was designed, with many neoclassical architecture and art deco buildings by famous American and Filipino ...
Great Eastern Hotel, Manila (demolished)-This was the tallest art-deco hotel in the Philippines. Hap Hong Building, Manila, 1938; Heacock Building, (Fernando Ocampo, Tomas Arguelles, and George Koster), Manila, 1938(demolished) Hidalgo-Lim house, (Juan Nakpil), Manila, 1930; High Commissioner's Residence, 1940
This 1960s-style building on Roosevelt Avenue in Quezon City has Art Deco features. The structure and cinema was originally owned by the Ang family, one of the first Filipino-Chinese clans in San Francisco del Monte, Quezon City. "Benper" came from the late couple's combined name - Benito Ang and his spouse Peregrina Dela Rosa.
The capitol prior to the 2018 renovation. The Bulacan Provincial Capitol was designed by Filipino architect Juan Arellano and is an example of Art deco architecture.The capitol's compound is named as the Antonio S. Bautista Provincial Capitol Compound. [1]
Entrance Close up of facade. The Gala–Rodriguez heritage house is one of the Art Deco houses that flourished in Sariaya, Quezon during the pre-war era in the Philippines. . The house most prominent features are the fan-shaped front entrance glass canopy and the art deco relieves that decorates the mirador of the house
The structure's horizontally-oriented massing was broken by an engaged central section at the main entrance and two other similar treatments at the end portions. An art deco relief, bud-like finials, and a tableau embellished the stepped pylon at the entrance. [11]