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Japanese female beauty practices and ideals are a cultural set of standards in relevance to human physical appearance and aesthetics. Distinctive features of Japanese aesthetics have the following qualities: simplicity, elegance, suggestion, and symbolism. [ 1 ]
Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful.
[19] This is the book that first introduced the term "wabi-sabi" into Western aesthetic discourse. Wabi-sabi concepts historically had extreme importance in the development of Western studio pottery; Bernard Leach (1887–1979) was deeply influenced by Japanese aesthetics and techniques, which is evident in his foundational book A Potter's Book.
Kawaii (Japanese: かわいい or 可愛い, ; "cute" or "adorable") is a Japanese cultural phenomenon which emphasizes cuteness, childlike innocence, charm, and simplicity. Kawaii culture began to flourish in the 1970s, driven by youth culture and the rise of cute characters in manga and anime (comics and animation) and merchandise ...
Download QR code; Print/export Download as PDF; ... Pages in category "Japanese aesthetics" The following 34 pages are in this category, out of 34 total.
Hiroshi Nagai (Japanese: 永井博, born December 22, 1947) is a Japanese graphic designer and illustrator, known for his cover designs of city pop albums in the 1980s, which established the recognizable visual aesthetic associated with the loosely defined music genre.
Instead, he found simplicity and technicality in the Japanese aesthetic. [45] Rather than copying specific artists and artworks, Whistler was influenced by general Japanese methods of articulation and composition, which he integrated into his works.
However, by uncovering the elegantly carved wood and silk wallpaper, he reconsidered and aimed to restore the Yamashiro to its original state. [5] From there, he and his son, Thomas Y. Glover, began the evolution of the Yamashiro Restaurant, utilizing the leftover rooms in the estate to occupy up to 500 guests.
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