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The neural representation of stimulus envelope, ENV n, has typically been studied using well-controlled ENV p modulations, that is sinusoidally amplitude-modulated (AM) sounds. Cochlear filtering limits the range of AM rates encoded in individual auditory-nerve fibers. In the auditory nerve, the strength of the neural representation of AM ...
In sound and music, an envelope describes how a sound changes over time. For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. An envelope may relate to elements such as amplitude (volume), frequency (with the use of filters) or pitch.
It can be proven (with the help of a sum-to-product trigonometric identity) that the sum of two unit-amplitude sine waves can be expressed as a carrier wave of frequency f 1 + f 2 / 2 whose amplitude is modulated by an envelope wave of frequency f 1 - f 2 / 2 : [3]
Using this technique, the audio data is stored as a sequence of fixed amplitude (i.e. 1-bit) values at a sample rate of 2.884 MHz, which is 64 times the 44.1 kHz sample rate used by CD. At any point in time, the amplitude of the original analog signal is represented by the density of 1's or 0's in the data stream.
Orchestral enhancement is the technique of using orchestration techniques, architectural modifications, or electronic technologies to modify the sound, complexity, or color of a musical theatre, ballet or opera pit orchestra. Orchestral enhancements are used both to create new sounds and to add capabilities to existing orchestral ensembles.
An offstage instrument or choir part in classical music is a sound effect used in orchestral and opera which is created by having one or more instrumentalists (trumpet players, also called an "offstage trumpet call", horn players, woodwind players, percussionists, other instrumentalists) from a symphony orchestra or opera orchestra play a note, melody, or rhythm from behind the stage, or ...
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