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186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
Due to widespread availability and low cost, Soda Lime Glass is most commonly used for picture framing glass. Glass thicknesses typically range from 1.8 to 2.5 millimetres (0.071 to 0.098 in). Clear glass has light transmission of approximately 90%, absorption of approximately 2%, and reflection of approximately 8%. Whereas absorption can be ...
Leptat glass is a signature etched glass patented and produced by Conrad Schmitt Studios. After viewing a Czechoslovakian glass exhibit at the 1969 World's Fair in Osaka, Japan, Bernard O. Gruenke began to explore etching techniques at his New Berlin studio. He and his son experimented with new methods that produced results unlike the evenly ...
Beaker with soldier and civilian shaking hands, Bohemian glass, later 19th century. Engraved glass is a type of decorated glass that involves shallowly engraving the surface of a glass object, either by holding it against a rotating wheel, or manipulating a "diamond point" in the style of an engraving burin.
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The Portland Vase, about 5–25 AD . Cameo glass is a luxury form of glass art produced by cameo glass engraving or etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background.
The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as the Netherlands, also participated.
The desired pattern is achieved by engraving with a laser or a diamond tool, or by chemical etching. If the cylinder is chemically etched, a resist (in the form of a negative image) is transferred to the cylinder before etching. The resist protects the non-image areas of the cylinder from the etchant. After etching, the resist is stripped off.
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