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Vivarini is the surname of a family of painters from Murano , who produced a great quantity of work in Venice and its neighborhood in the 15th century, leading on to that phase of the school which is represented by Carpaccio and the Bellini family.
Antonio Vivarini (Antonio of Murano) (active c. 1440 – 1480) was an Italian painter of the early Renaissance-late Gothic period, who worked mostly in the Republic of Venice. He is probably the earliest of a family of painters, which was descended from a family of glassworkers active in Murano .
Madonna and Child, tempera and gold on panel painting by Bartolomeo Vivarini, c. 1475, Honolulu Museum of Art. Bartolomeo or Bartolommeo Vivarini (c. 1432 – c. 1499) was an Italian Renaissance painter, known to have worked from 1450 to 1499.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo ...
Giovanni d'Alemagna [a] (Italian pronunciation: [dʒoˈvanni daleˈmaɲɲa]; born Johannes Alamanus; c. 1411 – 9 July 1450) was a Venetian renaissance painter of German ancestry, active in Italy, with his brother-in-law Antonio Vivarini on religious paintings in Venice and Padua, that are preserved in the named cities together with those of Vivarini.
Tempera is an egg based painting substance that dries quickly making it easy to use and layer over, a popular choice among artists during the period. [10] Bellini also used some oil paints to create more definition with depth, soft edges, tone transitions, and better color pigments. [10]
Giovanni Bellini (c. 1430 – 26 November 1516) [1] was a Venetian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini (who was more highly regarded than Giovanni during his lifetime, although the reverse is true today), and his brother-in-law was Andrea Mantegna.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).