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The phrase port de bras is used in some schools and parts of the world to indicate a bending forward, backward, or circularly of the body at the waist, generally to be followed by bringing the upper body back to center/upright again, e.g. "port de bras forward", "port de bras back", "circular port de bras/grand port de bras".
A jazz term which instructs chord-playing musicians such as a jazz pianist or jazz guitarist to perform a dominant (V7) chord with at least one (often both) altered (sharpened or flattened) 5th or 9th altissimo Very high; see also in altissimo alto High; often refers to a particular range of voice, higher than a tenor but lower than a soprano
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The smallest pitch difference between notes (in most Western music) (e.g. F–F#). Jazz, blues, and various non-Western musics use quarter tones, a smaller subdivision of pitch. session musician, session player, or session man. In jazz and popular music, this refers to a highly skilled, experienced musician who can be hired for recording sessions.
Harman and Mellers argue that, with the music Bizet wrote for the stage production of L'Arlésienne, the Jeux d'Enfants represents the rediscovery of his true musical nature, exploring his melodic gifts, while the concentrated form of short pieces allowed him to discover chromatic and enharmonic subtleties both "simple and single-minded", in ...
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In music, a glissando (Italian: [ɡlisˈsando]; plural: glissandi, abbreviated gliss.) is a glide from one pitch to another (Play ⓘ). It is an Italianized musical term derived from the French glisser, "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers ...
Although a music score might call the final passage of the "Dance of the Sugerplum Fairy" a coda, it is certainly NOT a coda in the art of ballet. As is stated in the definition, a coda is a piece of music which brings the suite of dances known as the Grand pas, Grand pas de deux, Grand pas d'action, etc. to a close.
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