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First (1988) edition Cover artist: Thomas William Bowler, Graham's Town from the Bay Road, 1865 White Writing: On the Culture of Letters in South Africa is a collection of essays by Nobel-laureate J. M. Coetzee, originally published in 1988, and in 2007 was reprinted, with a new introduction, by Pentz Publishers (ISBN 9780980270006).
As George Joseph notes in his chapter on African Literature [3] in Understanding Contemporary Africa, whereas European views of literature stressed a separation of art and content, African awareness is inclusive and "literature" can also simply mean an artistic use of words for the sake of art alone. Traditionally, Africans do not radically ...
Decolonising the Mind is split into four essays: "The Language of African Literature," "The Language of African Theatre," "The Language of African Fiction," and "The Quest for Relevance." Several of the book's chapters originated as lectures, and apparently this format gave Ngũgĩ "the chance to pull together in a connected and coherent form ...
Brittle Paper publishes original content submitted by authors, as well as commissioned reviews, interviews, essays, and other literary work. Having grown into "a thriving community of readers and writers interested in everything about African literature", [12] the blog is regarded as a major publicity platform for new books by African writers.
It's hailed as one of the greatest works of fiction to emerge from Africa. But Things Fall Apart was written in English, sparking debate about the colonisation of language.
Afrikaans can claim the same literary roots as contemporary Dutch, as both languages stem from 17th-century Dutch. One of the oldest examples of written Cape Dutch is the poem Lied ter eere van de Swellendamsche en diverse andere helden bij de bloedige actie aan Muizenberg in dato 7 August 1795 (Song in Honour of the Swellendam and various others Heroes at the Bloody Action at Muizenberg) [3 ...
First edition (publ. Doubleday) Hopes and Impediments: Selected Essays, 1965–1987 is collection of essays by Chinua Achebe, published in 1988. [1]Several of the essays caution against generalizing all African people into a monolithic culture, or using Africa as a facile metaphor. [2]
Chinweizu's notable intervention on this theme came in the essay "The Decolonization of African Literature" (later expanded into the 1983 book Toward the Decolonization of African Literature), to which Soyinka responded in an essay entitled "Neo-Tarzanism: The Poetics of Pseudo-Transition". [3]