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Kind, gentle, transience of life Cherry blossom: 黄菊: Kigiku: Chrysanthemum (yellow) Imperial Yellow chrysanthemum: 白菊: Shiragiku: Chrysanthemum (white) Truth Chrysanthemums (四つ葉の) クローバー (Yotsuba no) kurōbā: Four-leaf clover: Lucky Four-leaf clover: 水仙: Suisen: Daffodil: Respect Daffodil: 天竺牡丹 ...
Konohanasakuya-hime is the goddess of Mount Fuji and all volcanoes in Japanese mythology; she is also the blossom-princess and symbol of delicate earthly life. [ 1 ] [ 2 ] She is often considered an avatar of Japanese life, especially since her symbol is the sakura (cherry blossom).
In the Mahayana Buddhist view of the universe, these may be viewed as positive characteristics, representing liberation from a material world and transcendence to a simpler life. Since Mahayana philosophy predicates that genuine understanding is reached through experience rather than words, wabi-sabi may best be appreciated non-verbally.
These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful. Thus, while seen as a philosophy in Western societies, the concept of aesthetics in Japan is seen as an integral part of daily life. [2]
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
National symbols of Japan are the symbols that are used in Japan to represent what is unique about the nation, reflecting different aspects of its cultural life and history. [ 1 ] Symbols of Japan
Ritualize Morning Matcha. In Japan, tea ceremonies have profound cultural significance. Called chanoyu, a traditional tea ceremony revolves around preparing and drinking matcha, emphasizing the ...
Many beautiful ikebana arrangements were used as decoration for castles during the Momoyama period, and were also used for celebratory reasons. The rikka (立花, ' standing flowers '); [23] style was developed as a Buddhist expression of the beauty of landscapes in nature. Key to this style are nine branches that represent elements of nature. [24]