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The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older ...
In the 1550 and 1568 editions of the Lives Vasari insisted on drawings as documents which allowed the viewer to perceive the maniera of the great masters of painting and mentioned when he owned one or two drawings by a particular artist, such as at the end of his life of Filippo Lippi: ("Fra Filippo drew very well, as one can see in my own ...
Giorgio Vasari [a] (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of Western art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers ...
The figure blew a jet of water that spun a whirligig with four vanes in the form of butterfly wings, according to Giorgio Vasari's description. [5] According to James Draper, Rustici's figure drew inspiration from the mid-fifteenth century gilt-bronze fountain Winged Infant now at the Metropolitan Museum of Art . [ 6 ]
Pope Paul III (Farnese) Names Cardinals and Distributes Benefices. In the Sala dei Cento Giorni, Vasari and his assistants work in an elaborate and fanciful manner.The narrative unfolds within an unusual illusionist space flooded with allegoric ornamentation and further by numerous figures in painted architecture surrounded by simulated sculpture.
As it is usually identified with one which Giorgio Vasari sketched in Bologna and later bought for himself, it is sometimes also known as the Vasari Madonna. [1] The work passed through unknown hands after Vasari, eventually ending up in Lord Kinnard's collection, from whose successors Antoine Seilern acquired it via Colnaghi in 1965 before bequeathing it to the Courtauld in 1978.
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