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Catharsis is from the Ancient Greek word κάθαρσις, katharsis, meaning "purification" or "cleansing", commonly used to refer to the purification and purgation of thoughts and emotions by way of expressing them. The desired result is an emotional state of renewal and restoration.
In medicine, a cathartic is a substance that accelerates defecation. This is similar to a laxative, which is a substance that eases defecation, usually by softening feces. [1] It is possible for a substance to be both a laxative and a cathartic. However, agents such as psyllium seed husks increase the bulk of the feces. [2] [3]
Artaud dismissed the notion that conventional theatre of his era could provide audiences with a cathartic experience that would aid the healing process after World War II. For this reason, he gravitated towards radio-based theatre, where the audience could personally connect the words they heard with their own bodies.
Definition of a tragedy, and the rules for its construction. Definition and analysis into qualitative parts. Rules for the construction of a tragedy: Tragic pleasure, or catharsis experienced by fear and pity should be produced in the spectator. The characters must be four things: good, appropriate, realistic, and consistent.
Nirvana, for example, is equated with the True Self of the Buddha (pure, uncreated and deathless) in some of the Tathagatagarbha scriptures, and in other Buddhist tantras (such as the Kunjed Gyalpo or 'All-Creating King' tantra), the Primordial Buddha, Samantabhadra, is described as 'pure and total consciousness' – the 'trunk', 'foundation ...
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'suffering or experience') appeals to the emotions and ideals of the audience and elicits feelings that already reside in them. [1] Pathos is a term most often used in rhetoric (in which it is considered one of the three modes of persuasion , alongside ethos and logos ), as well as in literature, film and other narrative art.
Dr. Carmine D. Clemente, the editor who followed Goss, is in his 80s. In a phone interview, he said that in his experience with Lea & Febiger, Gray’s storied American publisher, the editor of each edition was granted full editorial autonomy. In other words, the decision to eliminate the clitoris in the 25th edition was likely made by Goss alone.