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  2. List of paintings by Albrecht Dürer - Wikipedia

    en.wikipedia.org/wiki/List_of_paintings_by...

    The last column gives the number of the catalogue raisonné of Dürer's paintings, which Fedja Anzelewsky, lifelong affiliated with the Kupferstichkabinett Berlin, compiled and published in 1971, and revised 20 years later. The legend for the four different capitals following the chronological numbering is as follows:

  3. Albrecht Dürer - Wikipedia

    en.wikipedia.org/wiki/Albrecht_Dürer

    The Life and Art of Albrecht Dürer. Princeton, NJ: Princeton University Press, 1945. ISBN 0-691-00303-3; Price, David Hotchkiss. Albrecht Dürer's Renaissance: Humanism, Reformation and the Art of Faith. Michigan, 2003. ISBN 978-0-4721-1343-9. Strauss, Walter L. (ed.). The Complete Engravings, Etchings and Drypoints of Albrecht Durer.

  4. Adoration of the Magi (Dürer) - Wikipedia

    en.wikipedia.org/wiki/Adoration_of_the_Magi_(Dürer)

    Albrecht Dürer, Adoration of the Magi. 1504. 99 × 113.5 cm. Oil on wood. Uffizi, Florence. The Adoration of the Magi is a panel painting by Albrecht Dürer (1471-1528), produced under commission by Frederick the Wise for the altar of the Schlosskirche in Wittenberg. It is considered one of Dürer's best and most important works from the ...

  5. Category:Paintings by Albrecht Dürer - Wikipedia

    en.wikipedia.org/wiki/Category:Paintings_by...

    Pages in category "Paintings by Albrecht Dürer" The following 23 pages are in this category, out of 23 total. This list may not reflect recent changes. ...

  6. The Four Apostles - Wikipedia

    en.wikipedia.org/wiki/The_Four_Apostles

    This painting has had many speculations as to Durer's intentions, one being that it was his way of creating a sort of worthy legacy piece. [3] When Dürer moved back to Nuremberg he produced many famous paintings there, including several self-portraits. He gave The Four Apostles to the town council.

  7. Meisterstiche - Wikipedia

    en.wikipedia.org/wiki/Meisterstiche

    Art historian Erwin Panofsky has described them as showing meticulous care in execution and also having complexity and significance in terms of iconography. Panofsky, while recognising that these are Durer's "most famous engravings" and are "not unjustly, known as his 'Meisterstiche'", notes that they "have no appreciable compositional ...

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