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Hugh Honour and John Fleming, A World History of Art, 1st ed. 1982 (many later editions), Macmillan, London, page refs to 1984 Macmillan 1st en. paperback. ISBN 0333371852. Blackmun Visonà, Monica et al. A History of Art in Africa (2001) Prentice Hall, New York ISBN 0-13-442187-6. Ross, Emma George. "African Christianity in Ethiopia". In ...
One: Number 31, 1950's juxtaposition of subdued colors with splattering of paint on top represents an indispensable example of Abstract Expressionist artwork. [1] Art historian Stephen Policari considered Pollock's poured painting to represent “a kind of frozen dynamic equilibrium of endless rhythm and energy” and believed the different combinations of curves and straight lines interacted ...
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas.
Nomoli figurines are among the earliest works of art from Sierra Leone. [3] The figurines and similar stone sculptures are the only known remains of an empire that existed hundreds of years ago in what is now Sierra Leone and Liberia. Portuguese explorers first recorded the existence of the figurines in the fifteenth century. [1]
Musée National d'Art Moderne, Paris Painting (Silver over Black, White, Yellow and Red) is a 1948 artwork painted by Jackson Pollock in 1948. He painted it by dripping small dots and pouring thin lines of paint over a dyed red piece of fabric.
Art completed by Pollock during his assignment as a Vietnam soldier-artist is in the permanent U.S. Army Art Collection, maintained by the U.S. Army Center of Military History (CMH), Washington, D.C. [4] Pollock's art has been included in traveling exhibits organized by the U.S Army Center of Military History. [5]
The National Museum of African Art was the first institution dedicated to African art in the United States, [6] followed by the New York-based Center for African Art (now The African Center) in 1984. [25] The National Museum's collection is more extensive. As of 2008, it consisted of 9,000 objects and 300,000 photographs.
Pollock was born in Bloemfontein, South Africa to Alan Winton Seton Pollock and Kathleen Alexandra (née Sinclair), [1] [4] Griselda Pollock grew up in both French and English Canada. Moving to Britain during her teens, Pollock studied Modern History at Oxford (1967–1970) and History of European Art at the Courtauld Institute of Art (1970–72).