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Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire, usually dated from 330 AD, when Constantine the Great established a new Roman capital in Byzantium, which became Constantinople, until the fall of the Byzantine Empire in 1453. There was initially no hard line between the Byzantine and Roman Empires ...
Neo-Byzantine architecture (also referred to as Byzantine Revival) was a revival movement, most frequently seen in religious, institutional and public buildings. It incorporates elements of the Byzantine style associated with Eastern and Orthodox Christian architecture dating from the 5th through 11th centuries, notably that of Constantinople ...
Eastern Orthodox church architecture constitutes a distinct, recognizable family of styles among church architectures. These styles share a cluster of fundamental similarities, having been influenced by the common legacy of Byzantine architecture from the Eastern Roman Empire. Some of the styles have become associated with the particular ...
Architectural style Early Christian. The period of architecture termed Early or Paleo-Christian lasted from the first Christian Church buildings of the early 4th century until the development of a distinctly Byzantine style which emerged in the reign of Justinian I in the 6th century, foundation of Constantinople by
Architecture portal. v. t. e. Domes were a characteristic element of the architecture of Ancient Rome and of its medieval continuation, the Byzantine Empire. They had widespread influence on contemporary and later styles, from Russian and Ottoman architecture to the Italian Renaissance and modern revivals.
Formulas giving churches with a large central area were to become preferred in Byzantine architecture, which developed styles of basilica with a dome early on. Within the dome architecture Christian churches used them to venerate icons at a larger than life scale, while Christians remained covered and inside.
Russian-Byzantine architecture (Russo-Byzantine architecture, Russian: русско-византийский стиль) is a revivalist direction in Russian architecture and decorative and applied arts, based on the interpretation of the forms of Byzantine and Kievan Rus' architecture. As part of eclecticism could be combined with other styles.
Although the neo-Byzantine architecture of the 19th and 20th centuries tended to draw on an eclectic set of historical references, the cross-in-square plan did play a role in the formation of "national styles" in the new, post-Ottoman states (for example, in the late 19th-century churches of Serbia). See also