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This causes the glaze to have as much reduction as possible and can pull out vibrant flashes of color from the glaze and end with either a matte or glossy finish depending on the type of glaze used. Naked Raku is done by coating a section of the exterior of the piece with slip, taping off portions of the piece to leave parts of the body exposed ...
Sansai (三彩) is another type of technique using lead glaze. unglazed stoneware (焼き締め陶窓 yakishime tōki): fired at high temperatures without applying a coat of glaze. In the Middle Ages, it was used for living utensils such as vases, pots and other everyday items, and in the Azuchi-Momoyama period, it was modified for use in tea ...
Ash glaze was the first glaze used in East Asia, and contained only ash, clay, and water. [ 2 ] [ 3 ] One of the ceramic fluxes in ash glazes is calcium oxide (CaO), commonly known as quicklime, and most ash glazes are part of the lime glaze family, not all of which use ash.
Horse hair vase. Horse hair raku is a method of decorating pottery through the application of horsehair and other dry carbonaceous material to the heated ware. The burning carbonaceous material creates smoke patterns and carbon trails on the surface of the heated ware that remain as decoration after the ware cools.
Pages in category "Ceramic glazes" The following 21 pages are in this category, out of 21 total. ... Raku ware; S. Salt glaze pottery; Sang de boeuf glaze; Shino ...
Shino ware tea bowl furisode, Azuchi-Momoyama to Edo period, 16th-17th century Shino incense container (kogo) with sculpted figures of Jurojin with a crane and a tortoise in feldspar glaze by Masaki Sōzaburō, late Edo period, early 19th century Shino ware shallow bowl, Azuchi-Momoyama to Edo period, 16th-17th century Nezumi-Shino ware, square dish with autumn grasses design, Azuchi-Momoyama ...
In addition to the colored painting known as "Iro-Nabeshima," occasionally "blue-and-white" designs using cobalt blue, celadon or a rusty glaze are known to exist. The most common "Iro-Nabeshima" is a technique in which a design is painted over a vessel with a blue-and-white design, and then the vessel is fired again with a low-temperature ...
The new process fused together the white body, color and glaze when it was fired at a temperature of 2,400 degrees Fahrenheit. The new glazes allowed the creation of brilliant colors never before seen on American china: 47 colors developed for the new process, which allowed for rapid expansion of the company and its product selections at the ...
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