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The Wind at Your Door (1959) is a one-poem volume by Australian poet R. D. Fitzgerald.The poem was originally published in The Bulletin on 17 December 1958, and later in this 275 copy Talkarra Press limited edition, signed by the author.
The speaker of the poem is the character Aedh, who appears in Yeats's work alongside two other archetypal characters of the poet's myth: Michael Robartes and Red Hanrahan. The three characters, according to Yeats, represent the "principles of the mind;" whereas Robartes is intellectually powerful and Hanrahan represents Romantic primitivism ...
"The Wind" is cast in a form closely associated with Dafydd, the poem in which a messenger or llatai, usually a bird or animal, is sent to the poet's lover. [17] It is a good example of how Dafydd's works in this form can include a close and warmly-appreciative description of a llatai , even when, as is often the case in Dafydd's poems, he is ...
In 2003, Neil Gaiman released Now We Are Sick, a poem anthology book featuring sci-fi, fantasy, and horror poems that thirty authors wrote. [4] In 2017, the BBC and James Goss released Doctor Who: Now We Are Six Hundred, which featured a collection of poems about The Doctor with illustrations by then Doctor Who show-runner, Russel T. Davies. [5]
Poems Composed or Suggested during a Tour in the Summer of 1833 1835 Iona. (Upon Landing) 1833 "How sad a welcome! To each voyage" Poems Composed or Suggested during a Tour in the Summer of 1833 1835 The Black Stones of Iona 1833 "Here on their knees men swore; the stones were black" Poems Composed or Suggested during a Tour in the Summer of 1833
In the poem, the narrator admires the bird as it hovers in the air, suggesting that it controls the wind as a man may control a horse. The bird then suddenly swoops downwards and "rebuffed the big wind". The bird can be viewed as a metaphor for Christ or of divine epiphany. Hopkins called "The Windhover" "the best thing [he] ever wrote". [2]
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The poem was written in 1880 by Roberts before she had met Elgar, though they were married in the year after the song was written. Roberts offered the poem to Edward when they were engaged, and such was the quality of the work that he put into it—the independent brilliant piano part, the voice in turn subtle and heroic—that it won the first prize of £5 in a competition organised by the ...