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A German holy card from around 1910 depicting the crucifixion The earliest known woodcut, St Christopher, 1423, Buxheim, with hand-colouring Prayer card of the Holy Face of Jesus In the Christian tradition, holy cards or prayer cards are small, devotional pictures for the use of the faithful that usually depict a religious scene or a saint in ...
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
The Horses of Neptune, illustration by Walter Crane, 1893. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
The Three Crosses is a 1653 print in etching and drypoint by the Dutch artist Rembrandt van Rijn, which depicts the crucifixion of Jesus Christ. Most of his prints are mainly in etching and this one is a drypoint with burin adjustments from the third state onwards. [1] It is considered "one of the most dynamic prints ever made". [2]
The ruin symbolism in "Nativity" and "Adoration of the Magi" paintings first emerged in Early Netherlandish art around the mid-fifteenth century, in a distinct Romanesque style. [29] Early Netherlandish painters began to associate this style with the architecture of the Holy Land, in contrast to the vague Orientalism of earlier depictions.
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
[6] [7] It is viewed as a puzzle, a visual challenge, and has been rendered as sculpture, drawing, and painting. The symbol features three hares or rabbits chasing each other in a circle. Like the triskelion, [8] the triquetra, and their antecedents (e.g., the triple spiral), the symbol of the three hares has a threefold rotational symmetry ...
The French born painter Nicolas Poussin had made his home in Rome since the age of 30. At the end of his life, from 1660 to 1664, he undertook his last set of paintings, The Four Seasons, a work commissioned by the Duc de Richelieu, grand-nephew of Cardinal Richelieu.
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