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A Spanish story involving sexual jealousy and selfishness appears in Lope de Vega's play El Perro del Hortelano (English: The Gardener's Dog; 1618). In this case, De Vega's title alludes to the parallel European idiom involving a variant story in which a gardener sets his dog to guard his cabbages (or lettuces).
The Dog in the Manger or The Gardener's Dog (Spanish: El Perro del Hortelano [el ˈpero ðel oɾteˈlano]) is a 1618 play by the Spanish playwright Lope de Vega. Its title refers to the proverb of the dog in the manger – it is an adaptation of a Spanish version of the story which deals with the emotional complications of class conflict. The ...
The Dog (Spanish: El Perro) is the name usually given to a painting by Spanish artist Francisco de Goya, now in the Museo del Prado, Madrid. It shows the head of a dog gazing upwards. The dog itself is almost lost in the vastness of the rest of the image, which is empty except for a dark sloping area near the bottom of the picture: an ...
La Pantalla Popular. El cine español durante el Gobierno de la derecha (1996-2003). Tres Cantos: Ediciones Akal. ISBN 978-84-460-2414-9. Cortés Ibáñez, Emilia (2000). "Un clásico en el cine: El perro del hortelano" (PDF). Actas del XIII Congreso de la Asociación Internacional de Hispanistas: Madrid 6-11 de julio de 1998. Vol. 4. pp. 303 ...
How Doth the Little Crocodile (Spanish: Cómo hace el pequeño cocodrilo) [a] is both a painting and an outdoor bronze sculpture by British-born Mexican surrealist artist Leonora Carrington. Carrington first painted How Doth the Little Crocodile in 1998. [ 1 ]
Of the most prominent independent theatre companies were Teatro del Pueblo, La Mascara, Nuevo Teatro and Fray Mocho, the theatre company where Historia del hombre que se convirtió en perro premiered. [1] [8] Teatro independiente had great influence on the theatre of its surrounding countries, including Peru, Chile, Bolivia, and Uruguay. [8]
Engraving of the two dogs "The Dialogue of the Dogs" ("El coloquio de los perros"; also "The Conversation of the Dogs" or "Dialogue between Cipión and Berganza") is a novella originating from the fantasy world of Alférez Campuzano, a character from a short story, The Deceitful Marriage [1] ("El casamiento engañoso").
Que Viene el Coco (1799) by Goya. The Coco or Coca (also known as the Cucuy, Cuco, Cuca, Cucu, Cucuí or El-Cucuí) is a mythical ghost-like monster, equivalent to the bogeyman, found in Spain and Portugal. Those beliefs have also spread in many Hispanophone and Lusophone countries.