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As an example of nation's efforts to document war events, official Japanese war artists were commissioned to create artwork in the context of a specific war for the Japanese government, including sensÅ sakusen kirokuga ("war campaign documentary painting"). Between 1937 and 1945, approximately 200 pictures depicting Japan's military campaigns ...
Spring in the Trenches, Ridge Wood, 1917 by Paul Nash.Nash was a war artist in both World War I and World War II. A war artist is an artist either commissioned by a government or publication, or self-motivated, to document first-hand experience of war in any form of illustrative or depictive record.
Along with scenes from Homer and the Gigantomachy, the Amazonomachy was a popular choice, depicting battles between Greek men and female foreigners. Later, in Roman art, there are many depictions on the sides of later Roman sarcophagi, when it became the fashion to depict elaborate reliefs of battle scenes. Scenes were also shown on mosaics.
Art could be a distraction and an escape from the horrors of the present. Distancing oneself (by depicting imaginary scenes or by taking on the role of the observer) was a way to keep some sanity. Doing drawings could also be a way to barter and thus to increase one's chances of survival in the camp or ghetto.
Margaret Bruder, a film studies professor at Indiana University and the author of Aestheticizing Violence, or How to Do Things with Style, proposes that there is a distinction between aestheticized violence and the use of gore and blood in mass market action or war films. She argues that "aestheticized violence is not merely the excessive use ...
Consequences of War, also known as Horror of war, [1] was executed between 1638 and 1639 by Peter Paul Rubens in oil paint on canvas. It was painted for Ferdinando II de' Medici . Although commissioned by an Italian, art historians characterize both the work and the artist as Flemish Baroque .
The Apotheosis of War was painted by Vereshchagin in 1871. [2] At the time, Vereshchagin was residing in Munich, Germany, where he painted 13 works (including Apotheosis) of art depicting his earlier travelling with the Imperial Russian Army as it moved throughout Central Asia, fighting against various factions and conquering what would become Russian Turkestan.
However, this fresco cycle was re-dated by Polzer to 1333-36 because of French contemporary paintings inspired by these ones and because of its Guelph political meaning, and Pisa was only Guelph for a short period in the mid 1330s; this meant, of course, that the frescoes cannot be an example of post-Black Death art as Meiss had originally ...