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Dummy is the debut studio album by English electronic music band Portishead, released on 22 August 1994 by Go! Beat Records. [3] The album received critical acclaim and won the 1995 Mercury Music Prize. It is often credited with popularising the trip hop genre, and is frequently cited in lists of the best albums of the 1990s.
"Sour Times" is a song by English trip hop group Portishead, from their debut album, Dummy (1994). It was written by all three members of the band and released as a single by Go! Beat Records in August 1994, accompanied by three bonus tracks: "It's a Fire", "Pedestal", and "Theme from To Kill a Dead Man". [2]
The success of the album saw the band nominated for Best British Newcomer at the 1995 Brit Awards. [18] Dummy was ranked number 419 on Rolling Stone magazine's list of the 500 Greatest Albums of All Time. [19] The album is often considered one of the greatest trip hop albums to date and is a milestone in the definition of the genre.
"Glory Box" is a song by English electronic band Portishead, released on 24 September 1994 by Go! Beat as the third and final single from their debut album, Dummy (1994). It samples "Ike's Rap II" by Isaac Hayes and peaked at number 13 on the UK Singles Chart.
The group released their first and second EPs in 2020, titled Dummy and EP2 respectively. [2] The group released their first album in 2021 titled Mandatory Enjoyment through Trouble in Mind Records. [3] [4] [5] In 2022, the group released two new songs, "Mono Retriever" and "Pepsi Vacuum" for the Sub Pop 7" series. [6]
Dummy (band), a band from Los Angeles Dummy, 1994, by Portishead "Dummy", a song by 6ix9ine from the album Dummy Boy "Dummy!", a track from the soundtrack of the 2015 video game Undertale by Toby Fox
Cheat Codes is a collaborative studio album by American songwriter/producer Danger Mouse and American rapper Black Thought, released on August 12, 2022, by BMG.It followed three albums of solo work for Black Thought, but was Danger Mouse's first hip-hop album since The Mouse and the Mask in 2005.
Portishead received critical acclaim upon its release. In a rave review for Q, Andrew Harrison said that the album showed Portishead sounding "less and less like a conflation of influences, and more and more like themselves", finding the music "almost cinematic" and the lyrics "more rounded" in perspective than on Dummy. [12]