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Denis Diderot (/ ˈ d iː d ə r oʊ /; [2] French: [dəni did(ə)ʁo]; 5 October 1713 – 31 July 1784) was a French philosopher, art critic, and writer, best known for serving as co-founder, chief editor, and contributor to the Encyclopédie along with Jean le Rond d'Alembert.
French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu 'ground/pounded gold') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.
Changes in theater design complemented the new lighting. Early 17th century theater-houses, which were often converted tennis courts, were not conducive to creating the illusion of a single vantage point on the stage. Instead, the boxes often faced each other and an audience member in the parterre would be equally comfortable looking into the ...
Limoges porcelain boxes were first created in the mid-18th century after Jacques Turgot, Finance Minister of King Louis XVI, gave a Royal edict to the city of Limoges, France the exclusive right to produce Royal Limoges porcelain for the Kingdom of France. The first Limoges trinket boxes were long narrow containers that were created for ...
The reduplicative term [3] literally means a merchant of merchandise, but in the 18th century took the connotation of a merchant of objets d'art. Earliest references to this Corps de la Ville de Paris can be found at the close of the 16th century, [ 4 ] but in the 18th century marchands-merciers were shopkeepers but they also played an ...
The 17th-century perjurer Titus Oates in a pillory. The pillory is a device made of a wooden or metal framework erected on a post, with holes for securing the head and hands, used during the medieval and renaissance periods for punishment by public humiliation and often further physical abuse. [1]
With the death of Louis XV on May 10, 1774, his grandson Louis XVI became King of France at age twenty. The new king had little interest in the arts, but his wife, Marie-Antoinette, and her brothers-in-law, the Comte de Provence (the future Louis XVIII) and the Comte d'Artois (the future Charles X), were deeply interested in the arts, gave their protection to artists, and ordered large amounts ...
This is a non-diffusing parent category of Category:18th-century French Jews and Category:18th-century French LGBTQ people and Category:18th-century French women The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
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