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"La Borinqueña " [b] [c] is the official anthem [4] of Puerto Rico. [5]After Puerto Rico became known as "The Commonwealth of Puerto Rico" in 1952, [4] the first elected governor, Luis Muñoz Marín, signed law #2 of July 24, 1952, which made an altered version of the musical composition known as "La Borinqueña" its national anthem.
Los Sueños (Dreams or Visions) is a satirical prose work by the Spanish Baroque writer Francisco de Quevedo.Written between 1605 and 1622, it was first published in Barcelona in 1627 under the title Sueños y discursos de verdades descubridoras de abusos, vicios y engaños en todos los oficios del mundo ("Dreams and discourses on truths revealing abuses, vices and deceptions in all the ...
"Eres Mi Sueño" (English: You Are My Dream) is a Latin pop song by Colombian recording artist Fonseca. It was released as the second single from his fourth studio album Ilusión (2012).
Una, Grande y Libre was often used at the end of speeches; The leader would exclaim three times ¡España!, and the public would successively respond to each of these shouts with ¡Una!, ¡Grande!, and finally ¡Libre!. The effect was similar to the way Amen is used in church, as well as to the chant of "Sieg Heil!" in Nazi Germany.
Ñ, or ñ (Spanish: eñe, ⓘ), is a letter of the modern Latin alphabet, formed by placing a tilde (also referred to as a virgulilla in Spanish, in order to differentiate it from other diacritics, which are also called tildes) on top of an upper- or lower-case n . [1]
Your Name Poisons My Dreams (Spanish: Tu nombre envenena mis sueños) is a 1996 Spanish thriller film directed and co-written by Pilar Miró consisting of an adaptation of the novel Tu nombre envenena mis sueños by Joaquín Leguina.
In Cuba, however, at least two national councils (one of which is state-sponsored) offer letras del año. A particular controversy arose in 2009-2010, when one of the Cuban national councils of babalawo issued a letra which predicted fights for power and an unusually high number of deaths of political leaders in the world, which many media ...
By 1946, the trio's exceptional virtuosity and authenticity had attracted the attention of Edmund Chester at CBS Radio's Cadena de Las Americas (Network of the Americas). [6] [7] Los Panchos were immediately invited to perform as "musical ambassadors" on the network's Viva América program to support cultural diplomacy in twenty countries throughout Latin America and South America.