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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Oedipus, a figure commonly considered a tragic hero. A tragic hero (or sometimes tragic heroine if they are female) is the protagonist of a tragedy.In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be.
To be necessary, it must never leave the characters it concerns in the same sentiments they had before, but still produce either love or hatred, etc. Sometimes, the change consists in the discovery, sometimes it follows at a distance, and sometimes results immediately from it; the last was used, for example, in Oedipus Rex .
An example of this includes his character Tygyn, who on his quest for peace determines that the only way for peace to exist is to use military strength to enforce. [6] The use of mythology is used in Shakespeare's Hamlet as a device to parallel the characters and to reflect back on them their role in the story, such as the use of the Niobe myth ...
His character, Ada, wanted to be a lepidopterist. [2] "Ada" is also a pun, a homophone, for "Ardor." Marina, Ada's mother, pronounces her name with "long, deep" Russian "A"s, which is how a speaker of non-rhotic English would say the word "Ardor." Ada's name includes a play on Ad (Ад), Russian for Hell, which serves as a theme throughout the ...
Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.
A plot summary is not a recap. It should not cover every scene or every moment of a story. A summary is not meant to reproduce the experience of reading or watching the work. In fact, readers might be here because they didn't understand the original. Just repeating what they have already seen or read is unlikely to help them.
Franzen has also suggested that Desperate Characters should be "read in the context of a contemporary art scene whose aim is the destruction of order and meaning." The Bentwoods, highly cultured and literate, are tormented by "an overload of meaning," which ultimately resembles the absence of any meaning: they are "oppressed and finally ...