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This is typically done to comply with any relevant broadcast law or codes of conduct, and to make the songs more marketable to a mainstream audience. [1] [2] Songs edited for content in this manner by are often referred to as a "clean version" or a "radio edit" (the latter also refers to songs that had been edited for length on radio airplay ...
Underground hip-hop is often characterized by socially conscious, positive, or anti-commercial lyrics. [2] However, there is no unifying or universal theme—AllMusic suggests that it "has no sonic signifiers". "The Underground" also refers to the community of musicians, fans and others that support non-commercial, or independent music.
The first waves of rap rock, rapcore, and rap metal — respective fusions of hip-hop and rock, hardcore punk, and heavy metal [184] — became popular among mainstream audiences at this time; Run-DMC, the Beastie Boys, and Rage Against the Machine were among the most well-known bands in these fields.
From disco to AKs. Whether it was seen as a fun new form of disco, important Black urban storytelling, or an irresponsible, violence-glorifying genre, early rap was a juicy tale for the press
"Clean content music is impactful and fun, as well sonically it sounds the same, but with a different message. All of my music is clean, and I have been able to get my music on NFL, USA, MTV, and BET.
Rapper Ice-T. With the commercial success of gangsta rap in the early 1990s, the emphasis in lyrics shifted to drugs, violence, and misogyny.Early proponents of gangsta rap included groups and artists such as Ice-T, who recorded what some consider to be the first gangsta rap single, "6 in the Mornin'", [68] and N.W.A whose second album Niggaz4Life became the first gangsta rap album to enter ...
Radio edits may have more or fewer words edited than the "clean version", because of the stations' or agencies' standards. A "dirty" radio edit preserving the sound of the offensive word or words but maintaining the shorter play time may be produced, which may be aimed at club play, nighttime radio, and non-terrestrial radio stations.
While the album is the first Hip Hop Hits volume not to feature an R&B/Hip Hop or a pop hit in the number-one position, four tracks on the album had reached number-one on the Billboard Hot Rap Tracks chart: "Deja Vu (Uptown Baby)," "I Got the Hook Up," ""Money, Power, Respect" and "Turn It Up (Remix)/Fire It Up."