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David is a life-size marble sculpture by Gian Lorenzo Bernini. The sculpture was one of many commissions to decorate the villa of Bernini's patron Cardinal Scipione Borghese – where it still resides today, as part of the Galleria Borghese. It was completed in the course of eight months from 1623 to 1624.
Bernini: Genius of the Baroque. London: Thames and Hudson. ISBN 9780500286333. Baldinucci, Filippo (2006) [1682]. The Life of Bernini. University Park: Pennsylvania State University Press. ISBN 9780271730769. Bernini, Domenico (2011) [1713]. The Life of Giano Lorenzo Bernini. University Park: Pennsylvania State University Press. ISBN 9780271037486.
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. [1] [2] [3]
David looks forward with his left eye but gazes at a distant point with his right. #22 This Is Not A Real Mattress. This Is A Marble Mattress Sculpted By Gian Lorenzo Bernini For The "Sleeping ...
Also, there is a short biographical narrative, The Vita Brevis of Gian Lorenzo Bernini, written by his eldest son, Monsignor Pietro Filippo Bernini, in the mid-1670s. [ 78 ] Until the late 20th century, it was generally believed that two years after Bernini's death, Queen Christina of Sweden , then living in Rome, commissioned Filippo ...
Apollo and Daphne is a life-sized marble sculpture by the Italian artist Gian Lorenzo Bernini, which was executed between 1622 and 1625. It is regarded as one of the artistic marvels of the Baroque age. The statue is housed in the Galleria Borghese in Rome, along with
Two Busts of Cardinal Scipione Borghese are marble portrait sculptures executed by the Italian artist Gian Lorenzo Bernini in 1632. Cardinal Scipione Borghese was the nephew of Pope Paul V, and had commissioned other works from Bernini in the 1620s.
In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of Dionysus/Bacchus .