Search results
Results from the WOW.Com Content Network
This Mural [6] is situated above the mouth to the south grotto, and portrays what is most likely a ruler seated upon a throne similar to La Venta's Altar 4 or 5.The eyes of a primal cave monster, showing Olmec iconic crossed-bars, can be seen on the top edge of the throne (note that the ruler is also wearing a crossed-bars pectoral, perhaps linking him directly with the monster).
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses ...
Most of what is known about Olmec religion is speculative, but certain patterns do emerge at La Venta that are certainly symbolic and might have ritual meaning. For example, the crossed bands symbol, an X in a rectangular box, is often repeated in stone at La Venta, other Olmec sites, and continued to have significance to the cultures inspired ...
In this latter book, Indian Art of Mexico & Central America, Covarrubias included a family tree showing the "jaguar mask" as ancestral to all (later) Mesoamerican rain gods. [ 6 ] At about this time, in 1955, Matthew Stirling set forward what has since become known as the Stirling Hypothesis, proposing that the werejaguar was the outcome of a ...
The name "Olmec" means "rubber people" in Nahuatl, the language of the Nahuas, and was the Aztec term for the people who lived in the Gulf Lowlands in the 15th and 16th centuries, some 2,000 years after the Olmec culture died out.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
San Lorenzo and the Olmec heartland.. Matthew Stirling was the first to begin excavations on the site after a visit in 1938. [12] Between 1946 and 1970, four archaeological projects were undertaken, including one Yale University study headed by Michael Coe and Richard Diehl conducted between 1966 and 1968, followed by a lull until 1990.
Covarrubias's caricature of himself as an Olmec. Miguel Covarrubias, also known as José Miguel Covarrubias Duclaud (22 November 1904 — 4 February 1957) was a Mexican painter, caricaturist, illustrator, ethnologist and art historian. Along with his American colleague Matthew W. Stirling, he was the co-discoverer of the Olmec civilization. [1]