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Kurdish cinema focuses on the Kurdish people and culture. The fate of the Kurds as a people without a state shaped their cinema. Kurdish films often show social grievances, oppression, torture, human rights violations, and life as a stranger. Kurdish cinema has a high significance for the Kurds, as it offers the opportunity to draw attention to ...
Kurdish film posters (5 F) E. English-language Kurdish films (2 P) F. ... Pages in category "Kurdish films" The following 21 pages are in this category, out of 21 total.
Kurdish films (3 C, 21 P) K. Kurdish actors (2 C) ... Kurdish film festivals (1 P) Pages in category "Kurdish cinema" This category contains only the following page.
This category is for films wholly in any dialect of the Kurdish language, or in which Kurdish is used for a significant part of the dialogue. Pages in category "Kurdish-language films" The following 41 pages are in this category, out of 41 total.
I Want to Live (Sorani Kurdish: دەمەوێت بژیم) is a 2015 Kurdish [1] documentary film directed by Karzan Kardozi.The film focuses on Shndar, a young Kurdish boy with thalassemia disease living in a refugee camp with his family in Kurdistan Region of Iraq as he recall his life during Syrian Civil War and ISIS attack on Kurdistan.
Films set in Kurdistan, a roughly defined geo-cultural territory in Western Asia wherein the Kurds form a prominent majority population and the Kurdish culture, languages, and national identity have historically been based.
The Duhok International Film Festival (Duhok IFF) (Kurdish: فلمه فێستیڤالا دهوك یا ناڤدهولهتی) is an annual film festival held in Duhok, Kurdistan Region. [1] Each year Duhok IFF presents new and exciting cinema from the Kurdish Cinema and beyond.
Bahman Ghobadi founded Mij Film in 2000, a company with the aim of production of films in Iran about its different ethnic groups. His first feature film was A Time for Drunken Horses (2000), the first Kurdish film produced in Iran. [4] The film won the Caméra d'Or at the Cannes Film Festival.
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