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"The Blessing" is composed in the key of B with a tempo of 70 beats per minute and a musical time signature of 4 4. [10] Carnes' and Jobe's vocal range spans from F♯ 3 to E 5. [11] The lyrics are largely taken from the Priestly Blessing found in the Book of Numbers within the Old Testament of the Bible. [12] [13]
Of these, 77 hymns had been included in the 1835 hymnbook. Many of the hymns included in the 1841 hymnal were more focused on grace, the blood of Christ, and the cross than other LDS hymn collections. Examples include "Amazing Grace", "Come, Thou Fount of Every Blessing", and "When I Survey the Wondrous Cross".
Rutter also wrote an arrangement for soprano, alto and keyboard in F major [4] and a version for choir and orchestra. [2] In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers ...
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.
Power chords are also referred to as fifth chords, indeterminate chords, or neutral chords [citation needed] (not to be confused with the quarter tone neutral chord, a stacking of two neutral thirds, e.g. C–E –G) since they are inherently neither major nor minor; generally, a power chord refers to a specific doubled-root, three-note voicing ...
A Gaelic Blessing is an English language choral composition by John Rutter, consisting of four vocal parts and organ or orchestra. It is also known by the repeating first line of the text, "Deep peace". The work was commissioned by the Chancel Choir of First United Methodist Church, Omaha, Nebraska, for their conductor Mel Olson.
The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional chords is given another quality by the modification of one or more components of the chord." [2]
A Mi Shebeirach [he 1] is a Jewish prayer used to request a blessing from God. Dating to the 10th or 11th century CE , Mi Shebeirach prayers are used for a wide variety of purposes. Originally in Hebrew but sometimes recited in the vernacular , different versions at different times have been among the prayers most popular with congregants.