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"When You're Gone" is a song by Irish band the Cranberries. It is the third single from their third studio album, To the Faithful Departed (1996). The music video was directed by Karen Bellone and was released at the end of 1996. The song was first played during the North American leg of the No Need to Argue Tour in late 1994.
Name of song, original release, and year of release Title Year Original release Writer(s) Ref. "7 Years" 2001 CD-R test pressing of Wake Up and Smell the Coffee: Dolores O' Riordan, Noel Hogan
To the Faithful Departed is the third studio album by Irish alternative rock [16] band the Cranberries, released on 22 April 1996.The album was made in memory of Denny Cordell who signed the band to Island Records [17] and Joe O'Riordan (vocalist Dolores O'Riordan's grandfather), who had both died that year.
When You're Gone may refer to: "When You're Gone" (Avril Lavigne song), 2007 "When You're Gone" (Bryan Adams song), 1998 "When You're Gone" (The Cranberries song), 1996; When You're Gone (Jesse Stewart), 2017; When You're Gone (Shawn Mendes song), 2022 "When You're Gone", a US bonus song on Richard Marx's 2004 album My Own Best Enemy "When You ...
The Cranberries were an Irish rock band formed in Limerick in 1989. The band was originally named The Cranberry Saw Us, and featured singer Niall Quinn, guitarist Noel Hogan, bassist Mike Hogan (Noel's brother), and drummer Fergal Lawler; Quinn was replaced as lead singer by Dolores O'Riordan in 1990, and the group changed their name to the Cranberries.
The Cranberries' third album, To the Faithful Departed debuted at number two in the UK, [70] and number four in the US, [71] with the singles "Free to Decide", "When You're Gone" and "Hollywood". [70] It also featured the Billboard Modern Rock Tracks number-one single "Salvation". [70]
In his weekly UK chart commentary, James Masterton complimented it as "another epic single" from the Cranberries, adding that O'Riordan's yodelling "sounds as hauntingly lovely as ever". [2] Johnny Cigarettes from NME wrote, "Twanging guitars, meandering minor chords, quick burst of yodelling, two indifferent choruses and you're left with an ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.