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"Train in Vain" is a song by the English punk rock band the Clash. It was released as the third and final single from their third studio album, London Calling (1979). The song was not originally listed on the album's track listing, [ 8 ] [ 9 ] appearing as a hidden track at the end of the album.
In the United States, "Train in Vain", backed with "London Calling", was released as a single in February 1980. It peaked at number 23 on the Billboard Hot 100 singles chart and "London Calling"/"Train in Vain" peaked at number 30 on the Billboard Disco Top 100 chart. [65]
The song did not make the U.S. charts, as "Train in Vain" was released as a single and broke the band in the United States, reaching No. 23 on the Billboard Hot 100. BBC Radio 1 DJ Annie Nightingale made a bet with Strummer that London Calling would make the UK Top 10 without them appearing on Top of the Pops , the stake being a Cadillac ...
On opening night, 11 January, Headon joined the band for the Clash's song "Train in Vain". An encore followed with Headon playing drums on "Should I Stay or Should I Go". This was the first time since 1982 that Headon and Jones had performed together on stage. [115] Graffiti in Rijeka, Croatia, commemorating Joe Strummer
The song was written and produced by band members Duke Erikson, Shirley Manson, Steve Marker and Butch Vig. "Stupid Girl" features lyrics about a young woman's ambivalence and is a musical arrangement centered on a repetitive bassline and a drum sample from the Clash's 1980 song "Train in Vain".
His drumming on "Train in Vain" has been characterised as one of the most important and distinctive beats in rock music. [18] Scott Kenemore of PopMatters writes, "his contribution to the music was tremendous, and his drumming remains an undiscovered treasure for too many."
41. "Let everything that has breath praise the Lord! Praise the Lord!” — Psalm 150:6. 42. "Jesus replied: ‘Love the Lord your God with all your heart and with all your soul and with all your ...
The Clash's 1979 song "Train in Vain" has been interpreted by some as a response to "Typical Girls" by the Slits, which mentions girls standing by their men. Albertine split up with songwriter Mick Jones shortly before he wrote the song.