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Veduta. Rome, a view of the Tiber, Castel Sant'Angelo, Ponte Sant'Angleo, Saint Peter's Basilica by Hendrik Frans van Lint; 1734, oil on canvas, 47 × 72 cm, private collection. A veduta (Italian for 'view'; pl.: vedute) is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista.
Italian art. Leonardo da Vinci 's Mona Lisa is an Italian art masterpiece worldwide famous. Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from ...
Giovanni Morelli. Giovanni Morelli (25 February 1816 – 28 February 1891) was an Italian art critic and political figure. [1] As an art historian, he developed the "Morellian" technique of scholarship, identifying the characteristic "hands" of painters through scrutiny of diagnostic minor details that revealed artists' scarcely conscious shorthand and conventions for portraying, for example ...
Stanza metafisica, Tema e variazioni series. Piero Fornasetti (Milan, 10 November 1913 – Milan, 15 October 1988) was an Italian artist and designer. Born in Milan into a middle-class family, Fornasetti's creative pursuits encompassed design, decoration, painting, curating, and printing. His oeuvre, spanning over 13,000 works, displayed a wide ...
Raffaello da Montelupo (c. 1504/1505 – c. 1566/1567), born Raffaele Sinibaldi, was a sculptor and architect of the Italian Renaissance, and an apprentice of Michelangelo. He was the son of another Italian sculptor, Baccio da Montelupo.
Distributed creativity is a sociocultural framework for understanding how creativity emerges from the interactions of people, objects and their environment. It is a response to cognitive accounts of creativity exemplified by the widely used four Ps framework. According to Vlad Petre Glǎveanu, "instead of an individual, an objects or a place in ...
Italian art critic Germano Celant organized two exhibitions in 1967 and 1968, followed by an influential book called Arte Povera, promoting the notion of a revolutionary art, free of convention, the power of structure, and the market place. Although Celant attempted to encompass the radical elements of the entire international scene, the term ...
Italian Baroque art. Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art is a term that is used here to refer to Italian painting and sculpture in the Baroque manner executed over a period that extended from the late sixteenth to the mid eighteenth centuries. [1]