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Napoleon's Return from Elba (French: Retour de Napoleon d' Isle d'Elbe) is an 1818 history painting by the German-born French artist Charles de Steuben. [1] [2] It depicts the scene at Laffrey near Grenoble on 7 March 1815 when Napoleon, having escaped from Elba, is acclaimed by the men of the 7th Regiment of the Line.
Not coincidentally the work was made in the same year that the Retour des cendres (return of the ashes), or the return of Napoleon's mortal remains from the island of Saint Helena took place. The original of the painting is held at the Museum der bildenden Künste , in Leipzig , while there are copies at the Army Museum , in Paris , [ 1 ] [ 2 ...
Napoleon Accepting the Surrender of Madrid; Napoleon at Austerlitz; Napoleon at the Tuileries; Napoleon I at Fontainebleau on March 31, 1814; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Keys of Vienna; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Nelson's ...
This maintains his new civil rather than heroic (as in Canova's Napoleon as Mars the Peacemaker) or military (as in David's own Napoleon Crossing the Alps) image, though the sword on the chair's armrest still refers back to his military successes. The fleurs-de-lys and heraldic bees also imply the stability of the imperial dynasty. [1]
Napoleon Accepting the Surrender of Madrid (French: Capitulation de Madrid, le 4 décembre 1808) is an 1810 history painting by the French artist Antoine-Jean Gros. [1] [2] It depicts Napoleon, Emperor of France, accepting the surrender of Madrid, on 4 December 1808, during the Peninsular War. Napoleon is shown with his general staff receiving ...
The Meeting of Napoleon I and Tsar Alexander I at Tilsit (French: Entrevue de Napoléon Ier et d'Alexandre Ier sur le Niemen. 25 juin 1807) is an 1808 history painting by the French artist Adolphe Roehn. [1] [2] It depicts the scene on 25 June 1807 when Napoleon met with Alexander I of Russia on a raft in the middle of the River Neman.
Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Pardoning the Rebels at Cairo; Napoleon Receiving the Keys of Vienna; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Napoleon's ...
He wanted his painting to show the contrasting world views of Napoleon and Pius, particularly the latter's moral dilemma in dealing with the perceived evil of the domineering French emperor. [ 5 ] It was exhibited at the Royal Academy 's 1836 Summer Exhibition at Somerset House . [ 6 ]