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Definition Stupidity is a quality or state of being stupid, or an act or idea that exhibits properties of being stupid. [ 4 ] In a character study of "The Stupid Man" attributed to the Greek philosopher Theophrastus (c. 371 – c. 287 BC), stupidity was defined as "mental slowness in speech or action".
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
Other nonsense verse makes use of nonsense words—words without a clear meaning or any meaning at all. Lewis Carroll and Edward Lear both made good use of this type of nonsense in some of their verse. These poems are well formed in terms of grammar and syntax, and each nonsense word is of a clear part of speech.
The simple poetic structure is of two stanzas related by an identical closing verse in each stanza. The poem is only clarified in its allusion upon completion of the reading of the second stanza which identifies a "cold" and "dumb" body as common references to a dead body. In this case a dead body is being prepared for a funeral. [3]
Each stanza in the poem has the rhyme scheme ABCB, and every stanza ends with "the Laird of Craigubble." [ 4 ] Karl Marx (1818–1883) was a frequent dumb crambo player with his wife and daughters in their North London home.
The poem uses a five-line stanza of tetrameter lines, with a rhyming scheme of ABCCB, [6] said to be a "variation on the long meter quatrain." [7] It has been described as a realisation of the traditional form of the ballad, chiefly because of its "unobtrusive" narrator, [8] as well as "an extreme example of the naive or rustic style in poetry."
The phrase being shown in the script of The Shining "All work and no play makes Jack a dull boy" is an old proverb that means without time off from work, a person becomes both bored and boring.
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...