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La resurrezione (The Resurrection), HWV 47, is an oratorio by George Frideric Handel, set to a libretto by Carlo Sigismondo Capece (1652–1728). Capece was court poet to Queen Marie Casimire of Poland , who was living in exile in Rome .
Carlo Sigismondo Capece (21 June 1652 in Rome – 12 March 1728 in Polistena) was an Italian dramatist and librettist. Capece was court poet to Queen Maria Casimira of Poland , who was living in exile in Rome , and is best remembered today for the libretto of La resurrezione (HWV 47, 1708) a sacred oratorio by George Frideric Handel . [ 1 ]
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King Dinis I of Portugal, from the Semblanzas de reyes.. In Portugal, an aristocratic poetical-musical genre was cultivated, at least since the independence (1139), whose texts are kept in three main collections (Cancioneiros): Cancioneiro da Ajuda (13th century), Cancioneiro da Biblioteca Nacional (16th, on originals from the 14th), Cancioneiro da Vaticana (16th, on originals from the 14th).
Tomaso Albinoni – 6 Sonate da chiesa, T.So 26–31, Op. 4; Louis de Caix d'Hervelois – Pièces de viole, Livre 1; Andre Campra – Cantates françoises; Francisco José de Castro – 8 Concertos, Op. 4; Evaristo Felice Dall'Abaco – 12 Violin Sonatas, Op. 1; Pierre Du Mage – Livre d'orgue; Jean-Baptiste Stuck – Cantates françaises ...
Portugal has had a history of receiving different musical influences from around the Mediterranean Sea, across Europe and former colonies. In the two centuries before the Christian era, Ancient Rome brought with it Greek influences; early Christians, who had their differing versions of church music arrived during the height of the Roman Empire; the Visigoths, a Romanized Germanic people, who ...
Published by the Real Fábrica da Musica, Lisbon, 1792. Collection of the Library of the Ajuda National Palace, Lisbon. José Joaquim dos Santos (? 1747–1801) [ 1 ] was a Portuguese music teacher and late Baroque-period composer who specialised in writing sacred music .
The Museum of Portuguese Music (Portuguese: Museu da Música Portuguesa) is a small museum housed in the Casa Verdades de Faria in Estoril, municipality of Cascais, Portugal, on the Portuguese Riviera. It contains a collection of Portuguese musical instruments and other items, as well as a music documentation centre, and is also used for recitals.