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Hamlet and Ophelia, by Dante Gabriel Rossetti. From its premiere at the turn of the 17th century, Hamlet has remained Shakespeare's best-known, most-imitated, and most-analyzed play. The character of Hamlet played a critical role in Sigmund Freud's explanation of the Oedipus complex. [1]
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
[265] Commenting on "the character of Hamlet", he in effect joins a discussion among his contemporaries, adding to the mix of similar assessments by Goethe, [266] Schlegel, [267] and Coleridge [268] his observation that Hamlet "is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment." [80]
The majority of characters in Hamlet have classical names, in contrast to the "particularly Danish" ones of Rosencrantz and Guildenstern. The names were common in the court of Frederick II and Christian IV , and also at the University of Wittenberg , an institution where Hamlet is mentioned as having studied (he refers to them as "my two ...
The object of psychoanalytic literary criticism, at its very simplest, can be the psychoanalysis of the author or of a particularly interesting character in a given work. The criticism is similar to psychoanalysis itself, closely following the analytic interpretive process discussed in Freud's The Interpretation of Dreams and other works.
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
Hamlet and Oedipus is a study of William Shakespeare's Hamlet in which the title character's inexplicable behaviours are subjected to investigation along psychoanalytic lines. [ 1 ]
For example, although Walton argues for the denial of premise 1 because the reader does not literally pity the character Anna, he also questions the truthfulness of premise 2 because of cases of irrational emotion. [5] Despite the popular rejection of premise 2, academics are still interested in the paradox and seriously consider other ...