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The Kelly typically features the classic Jackson pointed head-stock. The neck is generally of a very thin profile, featuring a standard 24 jumbo frets, a neck-thru design and is generally quite extended from the body. These factors grant the Kelly a very high level of play-ability, especially in genres such as heavy metal.
Fat frets make bending easier, and they change the feel of the guitar. As well, large frets, offering more metal, remain playable much longer than thin frets. A side effect of a thicker fret is a less precise note, since the string is held over a wider surface, causing a slight inaccuracy of pitch, which increases in significance as frets wear. [2]
Fanned-fret guitars have a multi-scale fingerboard because of "offset" frets; that is, frets that extend from the neck of the guitar at an angle. Ralph Novak (Novax Guitars) was the first to apply this idea to the electric guitar (1988). [2] The frets are arrayed on an angle, in contrast to the standard perpendicular arrangement of other guitars.
This allows for the note range of B standard tuning without transposing E standard guitar chords down two and a half steps down. Baritone 7-string guitars are available which features a longer scale-length allowing it to be tuned to a lower range. Standard 7-string tuning – B'-E-A-d-g-b-e' Standard tuning for a seven-string guitar.
Solid body (alder) fretted electric bass guitar, six strings in six courses tuned E-A-D-G-B-E an octave below the standard guitar tuning. Scale length 30" / 762 mm (as opposed to 34" / 864 mm for the Jazz and Precision basses) for the U.S. versions, 30.3" for the Japanese versions. Curved fingerboard (rosewood), radius 7.25" / 184 mm, 21 frets
A 1990 US Fender HM Strat Eddie Van Halen's Frankenstrat, red painted version. Superstrat is a name for an electric guitar design that resembles a Fender Stratocaster but with differences that clearly distinguish it from a standard Stratocaster, usually to cater to a different playing style.
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