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"The Anniad", which dominates the collection, is a heroic poem divided into 43 stanzas. [1] The name is a pun combining the protagonist's name and the title of Virgil's epic Aeneid. [3] While not a classical "hero" like Aeneas, Annie's very survival through poverty, racial discrimination, and unhappiness makes her heroic. [1]
This poem, along with other works by Hughes, helped define the Harlem Renaissance, a period in the early 1920s and '30s of newfound cultural identity for blacks in America who had discovered the power of literature, art, music, and poetry as a means of personal and collective expression in the scope of civil rights. [1]
Darkwater: Voices From Within the Veil was well received by audiences after it was first published, helping to open the eyes of readers to the problems of racial discrimination in America. [7] In his review of Darkwater in the popular magazine The Survey , Robert Foerster writes: "Actually it is a book so skillfully put together, so ...
Citizen: An American Lyric is a 2014 book-length poem [1] and a series of lyric essays by American poet Claudia Rankine. Citizen stretches the conventions of traditional lyric poetry by interweaving several forms of text and media into a collective portrait of racial relations in the United States. [2]
This era is sometimes referred to as the nadir of American race relations because racism, segregation, racial discrimination, and expressions of white supremacy all increased. So did anti-Black violence, including race riots such as the Atlanta race riot of 1906, the Elaine massacre of 1919, the Tulsa race massacre of 1921, the Perry massacre ...
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5]
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]
The poem by "unchained poet" was written in 1901, appearing in Sedalia, Missouri's Sedalia Sentinel as "Niggers in the White House" on 25 October. [4] It followed widespread news reports that President Theodore Roosevelt and his family had dinner with African-American presidential adviser Booker T. Washington at the White House on 16 October of that year. [4]