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In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love, [1] summer and poetic inspiration. The son of The Dagda and Boann, Aengus is also known as Macan Óc ("the young boy" or "young son"), and corresponds to the Welsh mythical figure Mabon and the Celtic god Maponos. [1]
Celtic knots (Irish: snaidhm Cheilteach, Welsh: cwlwm Celtaidd, Cornish: kolm Keltek, Scottish Gaelic: snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art.
In Celtic mythology, the Otherworld is the realm of the deities and possibly also the dead. In Gaelic and Brittonic myth it is usually a supernatural realm of everlasting youth, beauty, health, abundance and joy. [1] It is described either as a parallel world that exists alongside our own, or as a heavenly land beyond the sea or under the earth ...
Niamh, illustrated by Beatrice Elvery in Heroes of the Dawn (1914). Niamh (/ n iː v /, also known as Niamh Cinn-Óir ("Golden-headed Niamh" or "Golden-haired Niamh")) is the lover or spouse of Oisín, son of Fionn mac Cumhail, in the Fianna Cycle of Irish mythology.
Irish mythology is the best-preserved branch of Celtic mythology. The myths are conventionally grouped into 'cycles'. The Mythological Cycle consists of tales and poems about the god-like Tuatha Dé Danann, who are based on Ireland's pagan deities, and other mythical races like the Fomorians. [1]
Due to its presence in insular Celtic art, Celtic Reconstructionists use the triquetra either to represent one of the various triplicities in their cosmology and theology (such as the tripartite division of the world into the realms of Land, Sea, and Sky), [6] or as a symbol of one of the specific Celtic triple goddesses – for example the ...
Afallennau (Welsh, 'apple trees') is a 12th-century Welsh narrative poem dealing with Myrddin Wyllt. The Breton pseudosaint Konorin was reborn by means of an apple. The Proto-Celtic word was * *aballā; Old Irish, uball, ubull; Modern Irish, ubhal, úll; Scots Gaelic ubhall; Manx, ooyl; Welsh, afal; Corn. aval; Bret. Aval. [5]
The folk tales featuring the sword of light may be bridal quests, and the hero's would-be bride often becomes the hero's helper. [9] [10] [b]But also typically the story is a sort of quasi-bridal quest, [c] [12] where the hero wins a bride by wager, but then suffers a loss, becoming oath-bound (compelled by geis [d]) to never come home until he has completed the quest for the sword (and other ...