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The two paintings of the Virgin of the Rocks that now belong to the National Gallery, London, and that belonging to the Louvre Museum, Paris, are the same in subject matter and in overall composition, indicating that one is derivative of the other. The two paintings differ in compositional details, in colour, in lighting and in the handling of ...
Researchers agree that the two panels originated in Leonardo da Vinci's studio: [8] indeed, they resemble the style used by the master in the London version of the central panel of the retable (the Virgin of the Rocks); [8] moreover, the three panels of the altarpiece demonstrate similar technical processes - the use of fingers, for example, to finish the contours of the figures - which, in ...
Titian, Diana and Actaeon (1556), jointly with the National Gallery of Scotland. Hans Holbein the Younger, The Ambassadors (1533). Leonardo da Vinci – The Virgin of the Rocks (1495–1508). Michelangelo, The Entombment (1500–1501). Raphael, The Madonna of the Pinks (La Madonna dei Garofani) (1506–07). American School George Bellows – 1 ...
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The Virgin of the Rocks by Leonardo da Vinci at the National Gallery, London. The work's patron is clearly identified: the Immaculate Conception Brotherhood, a lay confraternity in Milan, attached to the church of San Francesco Maggiore (Italian: San Fransesco Grande).
That among the differences in the two versions of the painting of the Virgin of the Rocks which hang in the Louvre and London's National Gallery, is the fact that in the Louvre painting the baby to the left of the picture depicts Jesus, and to the right John the Baptist, rather than the accepted view, which is the other way round.
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Leonardo painted the central panel with the Virgin of the Rocks (National Gallery, London), while the two brothers created the side panels. The side panels for the Virgin of the Rocks , now in the National Gallery, London were stated by the brothers to have been painted by them during the legal dispute over the altarpiece, and this is accepted ...