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The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period.
Susanna Huygens wore a long, tight white satin bodice with paned sleeves lined in pink and a matching petticoat. Her hair is worn in a mass of tight curls, and she wears pearl eardrops and a pearl necklace, 1667–69. Portrait of Barbara Villiers, mistress of King Charles II, painted by John Michael Wright, c. 1670 in the romantic style.
Some wear sheer aprons. The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s.
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In the 1830s, men wore dark coats, light trousers, and dark cravats for daywear. Women's sleeves reached their ultimate width in the gigot sleeve. Here, the boys (on holiday in the mountains) wear buff-colored belted knee-length tunics with yokes and full sleeves over trousers. The girls wear white dresses with colored aprons.
Self-Portrait or Portrait of an Old Man is an oil-on-canvas painting by El Greco, likely dating to between 1595 and 1600.The work's distinction as a self-portrait has been widely debated by scholars for over a century.
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