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The Buescher company also produced some flutes and clarinets between 1910 and 1920, the Saxonette (also known as the "clariphon" and the "claribel"), a clarinet with a curved metal barrel and a curved metal bell pitched in A, B ♭, C or E ♭. They were produced with the Albert system, and later with the Boehm system. Gretsch and Supertone ...
The Silva-Bet, which debuted in 1925, is generally acknowledged to have been the first successful metal clarinet. [1] [2] Shortly after the appearance of the Silva-Bet, other woodwind makers entered the metal clarinet market, including Selmer Paris in 1927 [3] with their Master Model as well as American companies Buescher with their True Tone model and H. N. White with the Silver King.
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G
A "Sax-Clarinet" appeared in the Couesnon catalogue of 1934. [3] Couesnon instruments are amongst the most common instruments around today. In 1923 the Gretsch Musical Instrument Company advertised a new invention called the Saxonette, [ 4 ] which was identical to Buescher's Clariphon.
Basset clarinet, oboe d'amore, piccolo trumpet Euphonium Baritone saxophone Buffet Crampon SAS is a French manufacturer of wind instruments based in Mantes-la-Ville , Yvelines department . The company is the world market leader in the production of clarinets of the Boehm system .
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
Matt Lavelle (bass clarinet) (born 1970) Joe Maneri (1927–2009) Michael Marcus (born 1952) Joe Marsala (1907–1978) Stan McDonald (born 1935) Hal McKusick (1924–2012) Mezz Mezzrow (1899–1972) Jean-Christian Michel (born 1938) Marcus Miller (born 1959) Gabriele Mirabassi (born 1967) Gussie Mueller (1890–1965) David Murray (born 1955 ...
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