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In order to be melodically pleasing, Étude Op. 10, No. 7 demands a special technique, as the interpretation of its melodic line is not as easy as the more popular études by Chopin; consequently, it is not a standard in concert repertoire.
Vivace is a musical tempo marking. Vivace may also refer to: VIVACE, an alternative name for Vortex power, a form of hydro power. USS Vivace (SP-583), a United States Navy ship. Vivace, a US aerospace company, competed for NASA's Human Landing System
From the last episode in F major, the movement transitions to Vivace through a series of no fewer than sixty-one repetitions of the note E. The Vivace (. = 104) is in sonata form, and is dominated by lively dance-like dotted rhythms, sudden dynamic changes, and abrupt modulations. The first theme of the Vivace is shown below.
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere.
At a walking pace; flowing; moderately slow tempo Andantino: a little bit walking: Less of a walking pace than andante (so slightly quicker) A tempo: to time: Return to previous tempo Fermata: held, stopped, orig. Latin firmo "make firm, fortify" Holding or sustaining a note Grave: grave, solemn: Slow and solemn tempo (slower than largo) Largo ...
Return to normal tempo after a deviation. Not recommended in string parts, due to possible confusion with battuto (qv.); use a tempo, which means the same thing a bene placito Up to the performer a cappella lit. "in a chapel"; vocal parts only, without instrumental accompaniment a capriccio A free and capricious approach to tempo a due (a 2)
Realism tends to describe middle or lower class milieux in order to paint a picture of the regular life of a majority of the population at the time the literature was written. From the people to the places, Realism strove to present everything in an undramatic and "true" manner.
Isochrony is a linguistic analysis or hypothesis assuming that any spoken language's utterances are divisible into equal rhythmic portions of some kind. Under this assumption, languages are proposed to broadly fall into one of two categories based on rhythm or timing: syllable-timed or stress-timed languages [1] (or, in some analyses, a third category: mora-timed languages). [2]