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Saxophone altissimo is generally considered to be any note that is higher than written high F ♯, which is considered the highest note in the saxophone's regular range.. Altissimo is produced by the player using various voicing techniques such as air stream, tongue, throat and embouchure variations to disturb the fundamental of a note, which results in one of the higher overtones domina
Turner's range extends into the high altissimo register. His improvised lines tend to span several octaves and contain great harmonic and rhythmic complexity. His compositions often make use of repeated patterns, odd-metered time signatures, and intervallic leaps. Turner states that his music is "unfolding like a narrative".
He was the featured soloist on The Music from Peter Gunn soundtrack, performing the alto saxophone solo on the theme and on the second bridge of "Dreamsville". [5] He was known for his mastery of the extreme altissimo register of the saxophone. He wrote Ted Nash's Studies in High Harmonics for Tenor and Alto Saxophone published in 1946. [6]
As a composer, he frequently scored for the saxophone. In chamber music, the most important examples include the Sexteto místico for flute, oboe, alto saxophone, harp, guitar, and celesta (1917), Quarteto simbólico for flute, alto saxophone, harp, celesta and women's voices (1921), the Nonet (1923), Chôros No. 3 and No. 7 (1925 and 1924 ...
In his playing Desmond was also notable for his ability to produce extremely high notes, the altissimo register, on his saxophone. Desmond played a Selmer Super Balanced Action model alto saxophone with an M. C. Gregory model 4A-18M hard rubber mouthpiece, both dating from circa 1951, with a moderately stiff Rico 3 ½ reed. [21]
The clarinet and tenor saxophone player Jimmy Giuffre used a clarinet-style embouchure with a tenor saxophone with a specially-modified neck. [3] It is still commonly, and controversially, taught to beginning students as a shortcut to a passable result in lieu of more sustained effort developing embouchure strength and technique.
As with most saxophones, the alto's written range is B ♭ 3 to F 6 (or F ♯ 6), [1] with the higher altissimo register starting at F ♯ 6 (or G 6).The saxophone's altissimo register is more difficult to control than that of other woodwinds and is usually only expected from advanced players.
Raschèr cited evidence that Sax had demonstrated a three-octave range (up to a high C) to composers in the 1840s. Despite the initial resistance on the part of the saxophone community to the altissimo register, it has since come to be an accepted technique, and is utilized by nearly all classical and jazz saxophonists.