Search results
Results from the WOW.Com Content Network
The theme of doubles is "the key element in the film's structure," [47] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. Once on the train, Bruno orders a pair of double drinks—"The only kind of doubles I play", he says ...
Bart, who also got sent to detention per usual, hatches a "criss-cross" plan and tells Lisa that if she pulls a "ding-dong ditch" on Mrs. Krabappel, he will do the same to Ms. Hoover. Lisa thinks this means ringing the bell at Mrs. Krabappel's apartment and leaving. However, Lisa soon learns that Bart meant for her to kill Mrs. Krabappel (and ...
Criss Cross is a 1949 American film noir crime tragedy film starring Burt Lancaster, Yvonne De Carlo and Dan Duryea, directed by Robert Siodmak and written by Daniel Fuchs based on Don Tracy's 1934 novel of the same name. [2] This black-and-white film was shot partly on location in the Bunker Hill section of Los Angeles.
Criss Cross: Robert Siodmak: Burt Lancaster, Yvonne De Carlo, Dan Duryea: United States [59] Kind Hearts and Coronets: Robert Hamer: Dennis Price, Alec Guinness, Valerie Hobson: United Kingdom [60] The Devil's Henchman: Seymour Friedman: Warner Baxter, Al Bridge, Ken Christy: United States [61] Entre onze heures et minuit: Henri Decoin
Alfred Hitchcock directed the British original and the German-language remake. The Music Man (1962) The Music Man (2003) The remake is a television film. My Bloody Valentine (1981) My Bloody Valentine 3D (2009) As the remake's title indicates, it was released in 3D, as well as 2D. My Father's Dragon (1997) My Father's Dragon (2022) My Father ...
But while the $3 million NBC production, lensed by Hitchcock protégé Gordon Hessler, was the second-biggest TV movie of the year (behind Shogun), it was initially despised by critics, fans, and ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
As the 1940s progressed, he found his niche as the "sniveling, deliberately taunting" antagonist in a number of films noir (Scarlet Street, The Woman in the Window, The Great Flamarion, Criss Cross, Too Late for Tears, Johnny Stool Pigeon), and Westerns such as Along Came Jones and Black Bart, although he was sometimes cast in more sympathetic ...