Search results
Results from the WOW.Com Content Network
"Il Canto degli Italiani" (Italian: [il ˈkanto deʎʎ(i) itaˈljaːni]; [1] transl. "The Song of the Italians") is a patriotic song written by Goffredo Mameli and set to music by Michele Novaro in 1847, [2] currently used as the national anthem of Italy.
Novaro is mostly known as the composer of the music of the Italian national anthem, Il Canto degli Italiani (lyrics by Goffredo Mameli), better known in Italy as Inno di Mameli (Mameli's Hymn). [2] Novaro was a convinced liberal and offered his compositional talents to the unification cause without deriving any personal benefits.
Goffredo Mameli (Italian pronunciation: [ɡofˈfreːdo maˈmɛːli]; 5 September 1827 – 6 July 1849) was an Italian patriot, poet, writer and a notable figure in the Risorgimento. He is also the author of the lyrics of " Il Canto degli Italiani ", the national anthem of Italy.
" Va, pensiero" (Italian: [ˈva penˈsjɛːro]), also known as the "Chorus of the Hebrew Slaves", is a chorus from the opera Nabucco (1842) by Giuseppe Verdi. It recollects the period of Babylonian captivity after the destruction of Solomon's Temple in Jerusalem in 586 BC. The libretto is by Temistocle Solera, inspired by Psalm 137.
" Giovinezza" (pronounced [dʒoviˈnettsa]; Italian for 'Youth') was the official hymn of the Italian National Fascist Party, regime, and army, and was an unofficial national anthem of the Kingdom of Italy between 1924 and 1943. [1]
The "Marcia Reale d'Ordinanza" (Italian pronunciation: [ˈmartʃa reˈaːle dordiˈnantsa]; "Royal March of Ordinance"), or "Fanfara Reale" (Italian: [faɱˈfaːra reˈaːle]; "Royal Fanfare"), was the official national anthem of the Kingdom of Italy between 1861 and 1946. [1]
La Mantovana" or "Il Ballo di Mantova" ("The Mantuan Dance") is a popular sixteenth-century song attributed to the Italian tenor Giuseppe Cenci, also known as Giuseppino del Biado, (d. 1616) [1] to the text Fuggi, fuggi, fuggi da questo cielo. Its earliest known appearance in print is in Biado's collection of madrigals of the year 1600
At the time, neither "La Marseillaise" nor "Il Canto degli Italiani" were their respective country's national anthem. Some critics, such as the unnamed one writing in the Musical World , incorrectly thought the inclusion of such nationalistic songs or the potential political embarrassment from their inclusion was the reason for the cantata's ...