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The pipa, pípá, or p'i-p'a (Chinese: 琵琶) is a traditional Chinese musical instrument belonging to the plucked category of instruments.Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31.
The default tuning of zhongruan is G 2 D 3 G 3 D 4. [3] It can also be tuned as G 2 D 3 A 3 E 4, or A 2 D 3 D 3 D 4, or other variants, according to requirements in music scores. [4] Since the zhongruan has a rounded, calm and rich tone, it is usually played as a lead instrument in small ensembles and used to accompany other instruments in Chinese orchestra. [5]
The girl on the far right is playing the đàn tỳ bà. The đàn tỳ bà or đàn tì bà (Vietnamese: [ɗàːn tì ɓàː], Chữ Nôm: 彈琵琶) is a Vietnamese traditional plucked string instrument derived from the Chinese pipa, [1] That first gained popularity in China before spreading throughout East Asia, eventually reaching Vietnam sometime during the Trần dynasty.
The other four, known as the téng-sì-kóan or four higher instruments, are the four-stringed lute (gî-pê, or pipa 琵琶in Mandarin), a three-stringed, fretless, snakeskin-headed long-necked lute that is the ancestor of the Japanese shamisen, called the sam-hiân, (sanxian三弦 in Mandarin), the vertical flute, (siau (簫), also called ...
Pipa, Gansu, a town in Longnan, Gansu, China; Pipa, Sichuan, a town in Fushun County, Sichuan, China; Pipa Subdistrict, a subdistrict of Gulou District, Xuzhou, Jiangsu, China; Pipa Beach, a village and beach in the state of Rio Grande do Norte, Brazil; Phoenix Islands Protected Area, a marine protected area located in the Republic of Kiribati
Dance of the Yi People (simplified: 彝 族 舞 曲; traditional: 彞 族 舞 曲; pinyin: Yízú Wǔqǔ; sometimes also called Dance of the Yi Tribe or Yi Dance) is one of the most popular solo compositions for the pipa, a four-stringed pear-shaped fretted lute used as one of the primary traditional musical instruments of China.
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Min performed as a pipa soloist for the Nanjing National Music Orchestra from 1980 to 1992. She emigrated to the United States in 1992, first settling in San Francisco, California. [2] She has worked with numerous contemporary composers, including Chen Yi, Zhou Long, Carl Stone, Anthony De Ritis, Marc Battier, and John Zorn.