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An Apology for Poetry (or The Defence of Poesy) is a work of literary criticism by Elizabethan poet Philip Sidney. It was written in approximately 1580 and first published in 1595, after his death. It was written in approximately 1580 and first published in 1595, after his death.
Writing After Sidney: the literary response to Sir Philip Sidney 1586–1640. Oxford: Oxford University Press, 2006. Allen, M. J. B. et al. Sir Philip Sidney's Achievements. New York: AMS Press, 1990. Craig, D. H. "A Hybrid Growth: Sidney's Theory of Poetry in An Apology for Poetry." Essential Articles for the Study of Sir Philip Sidney. Ed.
Constable's verse is characterised by fervour and richness of colour. Of the numerous sonnets he wrote, the twenty-eight of the sonnet sequence Diana, and the four prefixed to Sir Philip Sidney's An Apology for Poetry, contain his best work. In My lady's presence makes the roses red, he is able to capture Spenser's charm.
Philip Sidney’s crititical work in An Apology for Poetry (1595) was a key precedent for Scott's treatise, The Model of Poesy (1599).. The treatise of The Model of Poesy (1599) is in three sections; [5] in the first section, Scott defines poetry and makes clear his debts to earlier theorists:
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In 1858, William Stigant, a poet, essayist, and translator, wrote in his essay "Sir Philip Sidney" [7] that Shelley's "beautifully written Defence of Poetry" is a work which "analyses the very inner essence of poetry and the reason of its existence, – its development from, and operation on, the mind of man".
The letters, obtained Thursday by The Atlanta Journal-Constitution through an open records request, were hand-written and terse.
Sir Philip Sidney (posthumous) – An Apology for Poetry (written c. 1579) 1596 Sir Walter Raleigh – The Discoverie of the Large, Rich and Beautiful Empyre of Guiana; 1597 Francis Bacon – Essays; 1598 John Bodenham – Politeuphuia (Wits' Commonwealth) King James VI of Scotland – The Trew Law of Free Monarchies